The direction was weak and it does not seem clear the on whose shoulders one can put the blame. I would especially like to thank the writer for giving us an iconic character. But one character which stays deep down is undoubtedly chammi. And not mention the supporting cast it was all etched out very badly and Najma horribly. And to say more characters appeared shallow and weak as if there was no substance to them like character of Aaliya which could be its Savior but the character looked so confused which in reality had its ambitions clear and Jameel's character was another problem, one could never tell what this character was really like was it negative or positive (that might be okay to keep the character intriguing but till the end and after the end it should have been cleared).
the writer ried to stay true to novel but in doing that h literally lost literary feminism on screen. One hoped that he could turn even a bad book into an amazing screenplay thanks to Sang-e-Mar Mar but nope this one was a big disappointment. It could have been great even from third dimensional story but the makers miserably failed and only Chammi's character was the one which kept everyone going.įirst of all discussing about the screenplay and story this one was a big disappointment by Mustafa Afridi. Aangan was expected to be from Aaliya's perspective and Mawra Hocane was constantly saying it but it was a third dimensional. Like literally it was a copy paste of the original novel. Everybody had huge expectations but the serial failed on so many levels. Aangan was the most hyped drama serial ever made in Pakistan.
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